Directed by Kevin Macdonald and based on the NY Times best-selling memoir “Guantánamo Diary” by Mohamedou Ould Slahi, this is the inspiring true story of Slahi’s fight for freedom after being detained and imprisoned without charge by the U.S. Government for years. Alone and afraid, Slahi (Tahar Rahim) finds allies in defense attorney Nancy Hollander (Jodie Foster) and her associate Teri Duncan (Shailene Woodley) who battle the U.S. government in a fight for justice that tests their commitment to the law and their client at every turn. Their controversial advocacy, along with evidence uncovered by a formidable military prosecutor, Lt. Colonel Stuart Couch (Benedict Cumberbatch), uncovers shocking truths and ultimately proves that the human spirit cannot be locked up.
Directed by Kevin MacDonald
Running time 129 minutes
THE KILLING OF TWO LOVERS
David is trying to keep it together. He and his wife, Nikki, are going through a time of transition and allowing each other space to figure out what it is they want from life and from their relationship. But there is one major issue: David doesn’t want space. He just wants things to get better, and he plays along with Nikki because he suspects it’s the only thing that may keep them and their four kids together. But he is hotheaded, jealous, and terrified of losing his family—an explosive combination in a claustrophobically small town where private lives seem impossible to preserve.
Robert Machoian (whose short The MINORS won a Special Jury Award for Directing at last year’s Festival) has a storytelling style that requires your full attention and an open mind. The Killing of Two Lovers is a captivating study on masculinity, love, and ambiguity, propelled by impressively nuanced and honest performances. Striking camerawork eliminates emotional distance between the audience and the characters, while jarring sound design beautifully conveys David’s impulsive nature and his growing despair.
Written and directed by Robert Machoian
Running time 85 minutes
After a long and unsuccessful struggle to get pregnant, Satoko and her husband decide to adopt a child. Over the next six years, the middle-class couple and their young son Asato settle into a comfortable, albeit routine, life. The family’s orderly existence is shattered by the arrival of Hikari, a young woman claiming to be Asato’s biological mother, demanding his return. As tensions mount, Satoko grows more and more emboldened to defend her family.
Weaving together multiple timelines and genres with a contemplative pacing and keen sense of place, hallmarks of Kawase’s work, TRUE MOTHERS is “is a deeply touching celebration of women who assume duties of love, support and compassion” (Awards Watch).
Directed by Naomi Kawase
Running time 140 minutes